Layout
Documented · Source attachedComposition favours ample white space and reduced clutter.
Zero depth, solid fills, simple icon set, bright but limited palette
A Metro theme is a dark or light background the user chooses, plus one accent colour.
In iOS 7 bar buttons are borderless: a key colour marks state and hints at what can be tapped.
This page carries no depth cue at all. Zero depth is our purist reading: iOS 7 itself kept translucent, blurred layers.
A starting grammar for a website in Flat Design: large bright solid shapes in a grid, prominent system sans, one key colour for state, flat single-colour icons, and, in our purist reading, no depth cue at all.
Web translation marks our choices for the screen. Not specified by the source marks what the sources leave open. Everything else is a rule from the record below.
The same system is in the brief (Build → Brief) and in the structured data.
A light or dark ground, one accent.
Departures
The platform’s own sans, large, as signage is.
Large shapes in a grid, to the edges.
radius 0 · shadow none · gradient none. The purist end of the family.
One colour, tinted by the system.
Flat Design is a screen register. Where the record states a component value (iOS 7’s borderless bar buttons and key colour) it is marked as the record’s; the rest are our translations.
History moved in depth; this grammar slides in the plane.
iOS 7 kept translucent layers. Zero depth is our reading of the fully flat end.
Fill for actions, the key colour for state, underlines for links.
Interfaces should stop pretending to be objects.
Removing every simulated depth cue leaves only colour, shape and position to carry meaning, which is honest about what a screen is and renders faster on the devices people actually use.
It refuses: shadow, gradient, bevel, texture and every other skeuomorphic depth cue without exception.
Large bright solid shapes with no gloss, bevel or drop shadow, prominent sans-serif type, and a simple geometric icon set carrying meaning through colour and contrast. The diagnostic condition, as Aesthetary reads it, is the purist zero of depth: the canonical releases themselves kept some layering and blur (iOS 7's translucent layers), so the total absence identifies the fully flat end of the family, and semi-flat keeps subtle shadows. Modern SaaS uses soft elevation and rounded cards. Material Design is explicitly a depth system.
0 Elements linked
| Typography | Page set in Schibsted. Typographic research on the record. |
|---|---|
| Colorcarries the look | #009688#F4762E#22364A#F7C948#F5F6F4#1D2A36#FFFFFF#53606C as built |
| Composition | Nothing linked yet |
| Imagerycarries the look | Nothing linked yet |
| Surfaces | Nothing linked yet |
| Motion | Nothing linked yet |
| Motifs & Symbols | Nothing linked yet |
| Techniques | Nothing linked yet |
No Element is linked to this Aesthetic yet. Each row still opens its gallery.
23 · by area, each labelled with what kind of claim it is
Composition favours ample white space and reduced clutter.
Content extends to the screen edges rather than sitting inside insets and visual frames.
Metro menus used a grid-like arrangement of large bright shapes.
Type is a primary interface element, used prominently and elevated as a key design element.
Typography is a sans-serif system face: Segoe WP on Windows Phone 7; iOS 7 directs designers to the system fonts.
Metro's type was meant to echo airport and metro-system signage.
Colour: bright but limited.
Imagery: flat vector icon sets.
No simulated depth cue anywhere: no shadow, gradient, bevel or texture. Meaning is carried by colour, shape and position alone.
Bezels, gradients and drop shadows are discouraged as physical/realistic cues that compete with content.
In iOS 7 all bar buttons are borderless; a key colour highlights state and subtly indicates interactivity.
iOS 7 kept translucent, blurred layers; the flat label therefore does not imply zero depth historically.
Standing criticism: flat design coincided with a loss of signifiers; many flat UIs removed the cues (including 3D or glossy button treatment) that tell users what is clickable.
In NN/g's eyetracking test, users spent on average 22% more time and made 25% more fixations on pages with weak clickability signifiers; in some cases the strong versions were made by adding shadows, gradients and text treatments to an already flat page.
Motion is a named principle of the canonical releases: Metro specified hardware-accelerated animations and transitions, and iOS 7 was presented with subtle motion.
Depth-implying motion is part of the history: Metro panoramas pan layers at different speeds like parallax, and iOS 7 transitions convey hierarchy and depth.
Ornament and chrome are subordinated to content: Metro puts content over chrome, and iOS 7 has the UI defer to content and restores embellishment only with care.
Windows Phone 7 application bar icons are single-colour assets (white foreground on transparent background) that the system tints to the current style.
A Metro theme is a user-chosen dark or light background plus one of ten accent colours.
A community wiki in Microsoft's archive says Metro relies on flat shapes, flat icons, colour and contrast to keep icons and UI simple and clear.
iOS 7 (2013) describes its depth as on-screen layering: distinct layers create depth and hierarchy, translucency gives context and place, and together they create a sense of dimension. Aesthetary's reading: that is elevation (Interface), not a three-dimensional Form.
With elevation unavailable, rank must come from colour weight and size alone.
A datable industry shift, not a movement: Microsoft's Metro language on Windows Phone 7 (2010), Google's Ice Cream Sandwich (2011), Apple's iOS 7 (2013). Its stated purpose was content over chrome and the abandonment of skeuomorphism.
Known about Flat Design: where it comes from, what it is called. Not a part of the design, and not something to check work against.Research found the area does not apply.
Partly sourced. 10 sources attached. 2 claims graded by our research brief, no source attached.
Build guidance: recorded in 5 of 8 research dimensions. It says what usable material is recorded, never how well it is evidenced.
No source attached: Argument, Recognition test. Not researched yet: Summary, Typeface guidance, Overall positions by area, Ornament and contrast scales, Moving it to screen, Source notes.
Neither is a free hand: an area research has not reached is not permission to decide on the language’s behalf.
What this record covers: The visual register of the 2010-2014 flat interface releases, following the Metro strand: large bright solid shapes, sans-serif type, flat imagery. Strict zero depth is Aesthetary's purist reading; iOS 7 kept blur.
Scope: The visual register of the 2010-2014 flat interface releases, following the Metro strand: large bright solid shapes, sans-serif type, flat imagery. Strict zero depth is Aesthetary's purist reading; iOS 7 kept blur.
| Research dimension | Evidence | Carries guidance |
|---|---|---|
| Composition | Specified | yes |
| Typography | Specified | yes |
| Hierarchy | Specified · Our reading | yes |
| Colour | Specified · From our catalogue entry | yes |
| Density | Not specified by the source | no |
| Imagery | Specified · From our catalogue entry | yes |
| Form / motif / surface / technique | Does not apply: form · Specified: motif, surface, technique | yes |
| Motion | Specified | yes |
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