# Southern Gothic — style guide for coding agents

> Generated from the Aesthetary record for **Southern Gothic**.
> Research: **Graded, not yet sourced** · Build guidance: recorded in 5 of 8 research dimensions.
> No source attached. 1 claim graded by our research brief.

## How to use this

Paste this file into your agent as context before asking it to design or build something in this visual language. It states what is established, what is our interpretation, and what nobody has established. Treat all three differently.

**The most important section is "Not researched yet".** Its purpose is to stop you and your agent inventing rules that sound right and are not recorded anywhere.

## What this language is

**Defining:** Heat haze, peeling paint, kudzu, sun-bleached palette, humid low contrast

**Recognise it by:** Visible heat haze flattening the middle distance, peeling paint on timber, kudzu taking a structure back, and a sun-bleached palette at deliberately low contrast under humid light. The diagnostic condition is decay by heat rather than by cold: the damage is biological and fast, and the light washes rather than shadows. Gothic Horror, its parent, is fog, stone and near-black with deep vignette. Western shares the sun-bleached palette but is arid and open where this is humid and overgrown.

**Family:** Narrative & Thematic
**Era:** 19th-century, contemporary

## What it is arguing

Decay in a hot climate is fast, visible and ordinary. Paint peels, plants take buildings back, and the light is flattened by moisture — so the unease comes from the everyday condition of the place rather than from anything staged.

**It refuses:** Refuses cold gothic staging — fog, stone, night architecture — and refuses high contrast.

## What it is not

Commonly confused with these. Getting the difference right matters more than getting the surface right:

- Gothic Horror
- Western

## Established rules

Grouped by what kind of claim each is. A requirement of the language and our own interpretation are not interchangeable.

**How to read each rule.** Every rule states two separate things, and neither stands in for the other:

- **Kind of claim** (the heading): From our catalogue entry · Graded by our research brief · No source attached · Our reading.
- **Evidence** (how it is established): Graded by our research brief · No source attached (`DOCUMENTED`) · From our catalogue entry (`SUPPORTED`) · Our reading (`CURATORIAL`) · Not researched yet (`UNKNOWN`) · No grade recorded (no grade in the record). Where a claim has its own canonical label, the Evidence line gives that label instead of the grade.
- **Product area**: which of the twelve areas the rule belongs to (Layout, Typography, Color, Imagery, Surface, Interface, Motion, Motif, Technique, Form, Hierarchy, Density), mapped from its raw area label in bold. "Context" means the rule is about the Aesthetic (its name, origin, lineage) rather than a part of the design. "Not mapped" means the raw area has no single area yet.
- The code in brackets is the `grade` field at `implementationConstraints.tokenRules.value.rules[].provenance.grade` in https://aesthetary.com/data/southern-gothic.json. "From our catalogue entry" means: Stated in Aesthetary’s existing catalogue entry. An outside source is named only where one is linked to the claim.

### From our catalogue entry

_Carried over from Aesthetary's original catalogue entry. The reasoning behind it was never recorded._

- **color** — Carries an unusual instruction: contrast is deliberately low. Most dark registers raise contrast; this one suppresses it, and that suppression is the humidity. Directly implementable and easy to get backwards.
  - Kind of claim: From our catalogue entry · Evidence: From our catalogue entry · Product area: Color
- **imagery** — Imagery: humid location photography.
  - Kind of claim: From our catalogue entry · Evidence: From our catalogue entry · Product area: Imagery
- **form / motif / surface / technique** — Form/motif/surface/technique: heat haze, peeling paint, kudzu.
  - Kind of claim: From our catalogue entry · Evidence: From our catalogue entry · Product area: not mapped

### Graded by our research brief · No source attached

_A research brief graded this documented, but no source is attached yet. A grade is not a source._

- **register** — The label was coined as an insult. Ellen Glasgow used it in 1935 to attack what she called aimless violence and fantastic nightmares in contemporary Southern fiction, and writers rejected it — Eudora Welty: 'They better not call me that!'
  - Kind of claim: Graded by our research brief · No source attached · Evidence: Graded by our research brief · No source attached · Product area: Context (not a design area)

### Our reading

- **hierarchy** — Rank by overgrowth — what the kudzu has not yet reached reads as most present.
  - Kind of claim: Our reading · Evidence: Our reading · Product area: Hierarchy
- **motion** — Slow, heat-shimmer, barely moving. The register's own logic is stillness in heat.
  - Kind of claim: Our reading · Evidence: Our reading · Product area: Motion

## Positions by area

The overall position recorded for each area. "No overall position recorded" means rules exist for the area but no position above them; the rules still apply. It is not the same as "Not established", which means nobody has researched the area.

- **Color** — Specified
- **Imagery** — Specified
- **Surface** — Specified
- **Motion** — No overall position recorded

## Coverage — what has been looked at

One row per research dimension a research pass considered. "Not researched yet" (`UNKNOWN`) means exactly that; a dimension can carry an Aesthetary recommendation and still be unresearched, and those are different things.

| Research dimension | Evidence | Resolved by | Carries a rule |
| --- | --- | --- | --- |
| Composition | Not researched yet | Aesthetary decided | no |
| Typography | Not researched yet | Aesthetary decided | no |
| Hierarchy | Specified · Our reading | Aesthetary decided | yes |
| Colour | Specified · From our catalogue entry | follows the recorded claim | yes |
| Density | Not specified by the source | Aesthetary decided | no |
| Imagery | Specified · From our catalogue entry | follows the recorded claim | yes |
| Form/motif/surface/technique | Not researched yet: form, motif, technique · Specified: surface | follows the recorded claim | yes |
| Motion | Not researched yet | Aesthetary decided | yes |

Unresearched: Composition, Typography, Motion. Where a rule appears for one of these it is Aesthetary's implementation recommendation, not a property of the language, and its Evidence line above says so.

## Not researched yet

Nobody has established a position for this language on:

- Layout
- Typography
- Interface
- Motif
- Technique
- Form

**Do not fill these in.** An absent position is absent research, not permission and not a blank for you to complete. If the work needs a decision in one of these areas, make it on other grounds and do not attribute it to this language.

## Grade your own work

17 checks: 8 mechanically testable, 7 needing a person to look, 0 needing a source Aesthetary does not hold, 2 with no recorded position. 3 further research dimensions produced no rule (Composition, Typography, Density). This rubric is silent on them. 1 context rule is listed apart: known about this Aesthetic, not something to check finished work against. Scores do not add up. A failure against a required rule and a departure from something we invented are not the same result, and no total should let them cancel.

### Recognition — does this read as the intended Aesthetic?

- **[visual_human · recognition signature · Evidence: No grade recorded]** Strip every logo, word and borrowed image out of your work, then show it to someone who knows the collection. Do they land on this Aesthetic? The signature to hold is: Visible heat haze flattening the middle distance, peeling paint on timber, kudzu taking a structure back, and a sun-bleached palette at deliberately low contrast under humid light. The diagnostic condition is decay by heat rather than by cold: the damage is biological and fast, and the light washes rather than shadows. Gothic Horror, its parent, is fog, stone and near-black with deep vignette. Western shares the sun-bleached palette but is arid and open where this is humid and overgrown.
  - _If it fails:_ The work may be competent and still read as a different Aesthetic, or as none. Nothing below matters until this passes.

### Fidelity — are its defining rules present?

- **[unassessable · no recorded position · Evidence: Not researched yet (`UNKNOWN`)]** Nothing is recorded as a requirement of this Aesthetic. There is no rule here that your work must hold — which means nothing you do can fail this dimension, and nothing you do can satisfy it either. That is missing research, not freedom: our research brief does record failure modes to avoid, listed under avoidance below. They are recorded judgement, not requirements.
  - _If it fails:_ Not applicable. An empty dimension is an absence of research, never a pass and never a failure.

### Implementation — were those rules translated appropriately into this medium?

- **[visual_human · Our reading · Evidence: Our reading]** Your work may depart from this — but knowingly, not by accident. Rank by overgrowth — what the kudzu has not yet reached reads as most present.
  - _If it fails:_ A defensible departure, and you should be able to say why you made it.
- **[visual_human · From our catalogue entry · Evidence: From our catalogue entry]** Your work may depart from this — but knowingly, not by accident. Carries an unusual instruction: contrast is deliberately low. Most dark registers raise contrast; this one suppresses it, and that suppression is the humidity. Directly implementable and easy to get backwards.
  - _If it fails:_ A defensible departure, and you should be able to say why you made it.
- **[visual_human · From our catalogue entry · Evidence: From our catalogue entry]** Your work may depart from this — but knowingly, not by accident. Imagery: humid location photography.
  - _If it fails:_ A defensible departure, and you should be able to say why you made it.
- **[visual_human · From our catalogue entry · Evidence: From our catalogue entry]** Your work may depart from this — but knowingly, not by accident. Form/motif/surface/technique: heat haze, peeling paint, kudzu.
  - _If it fails:_ A defensible departure, and you should be able to say why you made it.
- **[visual_human · Our reading · Evidence: Our reading]** Your work may depart from this — but knowingly, not by accident. Slow, heat-shimmer, barely moving. The register's own logic is stillness in heat.
  - _If it fails:_ Nothing. No one has researched the dimension yet, and this is only what Aesthetary would do. Departing from it costs you nothing.

### Avoidance — known failure modes, neighbour drift, cloning

- **[mechanical · recorded failure mode · Evidence: No grade recorded]** Check your work against this: No fog or mist.
  - _If it fails:_ A failure mode recorded in our research brief: recorded judgement about what weakens this Aesthetic, not a requirement of the language.
- **[mechanical · recorded failure mode · Evidence: No grade recorded]** Check your work against this: No stone architecture.
  - _If it fails:_ A failure mode recorded in our research brief: recorded judgement about what weakens this Aesthetic, not a requirement of the language.
- **[mechanical · recorded failure mode · Evidence: No grade recorded]** Check your work against this: No high contrast or deep vignette.
  - _If it fails:_ A failure mode recorded in our research brief: recorded judgement about what weakens this Aesthetic, not a requirement of the language.
- **[mechanical · recorded failure mode · Evidence: No grade recorded]** Check your work against this: No blackletter.
  - _If it fails:_ A failure mode recorded in our research brief: recorded judgement about what weakens this Aesthetic, not a requirement of the language.
- **[mechanical · recorded failure mode · Evidence: No grade recorded]** Check your work against this: No night as the primary condition.
  - _If it fails:_ A failure mode recorded in our research brief: recorded judgement about what weakens this Aesthetic, not a requirement of the language.
- **[visual_human · recorded failure mode · Evidence: No grade recorded]** Have you made any of these changes? Each one moves the work into a neighbouring Aesthetic: Against Gothic Horror (parent): heat versus cold; low contrast versus deep vignette. Against Western (live, cultural-protocol record — compared on climate only): humid and overgrown versus arid and open. Anti-signature: fog, stone, or raised contrast and it becomes the parent.
  - _If it fails:_ You have built the neighbour. That may be fine — but name which Aesthetic you are in.
- **[mechanical · declared closure · Evidence: No grade recorded]** Check your work against this: Not open: raising contrast.
  - _If it fails:_ This one is closed, not open. The record says generation must not go here.
- **[mechanical · declared closure · Evidence: No grade recorded]** Check your work against this: Not open: cold gothic staging.
  - _If it fails:_ This one is closed, not open. The record says generation must not go here.
- **[mechanical · declared closure · Evidence: No grade recorded]** Check your work against this: Not open: borrowing the parent's lettering..
  - _If it fails:_ This one is closed, not open. The record says generation must not go here.

### Accessibility — the Aesthetic preserved without its inaccessible practice

- **[unassessable · no recorded position · Evidence: Not researched yet (`UNKNOWN`)]** Does this Aesthetic conflict with any usability floor? Nobody has recorded one for it.
  - _If it fails:_ Nothing — and that is the problem. An unrecorded conflict is not an absent one. Hold AA on reading matter and decide the rest on other grounds.

### Context — known about this Aesthetic, not a check

Where the Aesthetic comes from, what it is called, how it sits among its neighbours. Use it to understand the work; do not score finished work against it.

- The label was coined as an insult. Ellen Glasgow used it in 1935 to attack what she called aimless violence and fantastic nightmares in contemporary Southern fiction, and writers rejected it — Eudora Welty: 'They better not call me that!' _(Graded by our research brief · No source attached · Evidence: Graded by our research brief · No source attached)_

**Not covered at all:** Composition: Not researched yet; Typography: Not researched yet; Density: Not specified by the source. These research dimensions produced no rule, so there is no check. Treat them as unscored, never as passed and never as failed.

## Rules for the agent

1. Do not invent rules for any area listed under **Not researched yet**.
2. Do not treat an absent position as permission to do anything you like — say that the language has no position, and decide on other grounds.
3. Keep our interpretations separable from the language's own requirements. If asked to justify a choice, cite which kind of claim it came from.
4. If you need something this record does not contain, say so rather than producing a confident answer from the aesthetic's name.
5. When you self-score against "Grade your own work", score only checks marked `mechanical`. Declare `visual_human` and `evidence_dependent` checks unjudged rather than guessing, and never score an `unassessable` one.
6. Evidence "Not researched yet" (`UNKNOWN`) is never a failure. It means nobody researched the dimension, so departing from what is written there costs nothing and must not be reported as a defect. "No grade recorded" is not a grade either: do not treat it as our decision or as an outside source.

## Provenance

- Record: `southern-gothic` · status `draft` · research `partly_researched`
- Full structured record: https://aesthetary.com/data/southern-gothic.json
- Human-readable record: https://aesthetary.com/a/southern-gothic.html
- This file is a snapshot. The record may have changed since; check the page above.

_Aesthetary is an alpha. Where a page says nothing, nobody has done the work yet._